論龔賢的繪畫(huà)藝術(shù)

畢業(yè)論文

摘  要

明末清初在金陵活躍著(zhù)1批中國畫(huà)家,最著(zhù)名的有龔賢、樊圻、高岑、鄒哲、吳宏、葉欣、謝遜、胡造等，史稱(chēng)為“金陵8家”，他們大都隱居不仕，努力探索中國畫(huà)藝術(shù)，這其中以龔賢的繪畫(huà)藝術(shù)成就最高。他是“金陵畫(huà)派”的代表人物。
作為“金陵8家”之首的龔賢，其藝術(shù)成就是多方面的，其詩(shī)、書(shū)、畫(huà)都很突出，然而對后世影響最大的還是他的繪畫(huà)藝術(shù)�！坝�103便能畫(huà)，垂510年而力硯田，朝耕暮獲，僅足糊口”，他的畫(huà)不但在清代，在整個(gè)中國畫(huà)史上，獨樹(shù)1格，不落窠臼，正是“前無(wú)古人，后無(wú)來(lái)者”。

關(guān)鍵詞：筆墨、形式 、意境

Abstract

At the turn point of Ming and Qing Dynasty, there are a lot of Chinese Painters in JinLing.The most famous pointers among them are GongXian、FanQi、GaoChen、ZhouZhe、WuHong、YeXin、XieXun、and HuZao etc.They have been called as“Eight artistic aistinetion in JinLing”in the history.Most of them lived in seclusion,would not be officials and tried their best to probe into the art of Chinese Painting. The one who get the greatest achievement is GongXian.He is the representative of“JinLing Painters”。
    As the leader of the“eight artistic distinction in JinLing”, GongXian’s artistic achievement was mang-sided.His poems、calligraphy、and paintings all were outstanding.However,the most infment in the later ages is his painting.“I can draw when I was only13, and devoted myself into the inkstone in the following 50 years.I plowed in the morning and harvest in the evening,but this just can make both ends meet.”His paintings are anigue and creative not only in Qing Dynashy,but also in the whole history of Chinese painting. That is to say just as the Chinese poem,“there is no ancients before, and there is no arriving men.”

Key words:  drawing   form   artistic   conception

【論龔賢的繪畫(huà)藝術(shù)】相關(guān)文章：

論裝飾繪畫(huà)的藝術(shù)特征07-08

論繪畫(huà)藝術(shù)的語(yǔ)言形態(tài)08-16

論音樂(lè )藝術(shù)與繪畫(huà)藝術(shù)的個(gè)性與共性09-05

論繪畫(huà)的創(chuàng )作靈感與藝術(shù)展現07-25

論關(guān)于藝術(shù)設計中的繪畫(huà)基礎教學(xué)09-12

淺談以龔賢山水畫(huà)為臨本的臨摹教學(xué)07-06

論音樂(lè )與繪畫(huà)的關(guān)系09-16

論音樂(lè )與繪畫(huà)的關(guān)聯(lián)09-18

復歸與反叛──論后現代主義新繪畫(huà)藝術(shù)10-16

論中國繪畫(huà)的文化特征09-11