試論古箏藝術(shù)的表情性

畢業(yè)論文

摘   要

古箏是我國獨有的、特有的、重要的民族彈撥樂(lè )器之1，現今古箏的發(fā)展10分引人矚目。為了拓展古箏藝術(shù)的發(fā)展空間，增強古箏藝術(shù)的表現力，研究古箏藝術(shù)的表情性就成了最關(guān)鍵的問(wèn)題。文章通過(guò)分析表情性，對比音樂(lè )和表情的關(guān)系，深入研究古箏的表現力，來(lái)了解古箏是通過(guò)文字（樂(lè )曲的標題）、音色、技法、樂(lè )曲抒情來(lái)表情的；同時(shí)也說(shuō)明了研究古箏的表情性對其發(fā)展有著(zhù)重要的意義，對于推動(dòng)民族樂(lè )器的發(fā)展也有極其重要的促進(jìn)作用。
  
    關(guān)鍵詞：表情性；技法；音色；抒情；表現力 

 

ABSTRACT

Guzheng is the exclusive and unique, one of the important national plucked string instruments, the guzheng is the most remarkable development. In order to develop the zheng art the development space, strengthens the zheng art the expressive force, studied the zheng art the expression to become the most essential question. The article through the analytical table disposition, contrast music and the expression relations, studies the zheng thoroughly the expressive force, understood the zheng is (music title) the timbre technique music expresses feelings the expression through the writing; Simultaneously also explained studies the orphaned card the expression to have the vital significance to its development, also has the extremely important promoter action regarding the impetus nationality musical instrument development.
     
Key words: sexual   techniques   he draws   lyrical   performance edge

 

 

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