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從《詩(shī)經(jīng)》到李商隱看古代愛(ài)情詩(shī)的流變—女性形象分析比較
摘 要：《詩(shī)經(jīng)國風(fēng)》中的女性大多是現實(shí)生活中的女性，她們真實(shí)自然，可以說(shuō)基本上不具含什么象喻性，即使后世的說(shuō)詩(shī)人可以據之以美刺諷喻之說(shuō)也只是后加的1種比附，而并非其所寫(xiě)之女性形象之本身所具含的特質(zhì)。南朝宮體愛(ài)情詩(shī)的女性，則大多為男子目光中所見(jiàn)之女性，大多是被物化的女性，很少有主觀(guān)感情之投入，詩(shī)中的女性只成為1些美麗的被物化了的形象而已。李商隱愛(ài)情詩(shī)所敘寫(xiě)的女性是他愛(ài)情生活際遇中的女性，敘寫(xiě)時(shí)以比興 、用典的手法使女性神化。
關(guān)鍵詞：詩(shī)經(jīng) 南朝宮體愛(ài)情詩(shī) 李商隱 女性 真實(shí)自然 物化 神化
Abstract: Most of women of China are women in actual life, they are true naturally , it we can say basically what explaining not alikes there is,even can say later age by poet according to last saying every one adding after being only too than enclosing with thorn not American, women itself house of image written it have speciality that include. Women of the love poem of the palace in the Southern Dynasties, are mostly women of the finding in mans sight , women of materialization , have subjective input of emotion seldom mostly, Women of poem become some a beautiful one image of materialization only. Li Shangying love poem women written to chat he love women, life of fortune, in order to deify more than revitalizing , tactics maid with the allusion quatation while chatting and writing.
Key words: The Book of Songs
The love poem of the palace in the Southern Dynasties
Li Shangying Women True naturally Materialization Deify
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