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安娜.卡列尼娜的悲劇及其意義
摘 要
《安娜•卡列尼娜》創(chuàng )作于1873年—1877年。109世紀710年代，俄國社會(huì )正處在急劇變動(dòng)的過(guò)程之中，封建農奴制在繼續瓦解，可是殘余勢力仍10分強大，資本主義雖努力迅速發(fā)展，但遠遠沒(méi)有成為社會(huì )的統治力量，俄國占統治地位的還是封建勢力以及封建的意識形態(tài)作為小說(shuō)的中心人物，安娜就是生活在這樣的1個(gè)時(shí)代。安娜•卡列尼娜是托爾斯泰筆下的1個(gè)不朽的人物形象，她最終走向了毀滅的悲劇結局。悲劇的發(fā)生，和她生活于其中的不能容忍愛(ài)的時(shí)代以及無(wú)愛(ài)的婚姻有關(guān)，和她把愛(ài)情等同于生活的愛(ài)情觀(guān)有關(guān)，也和她思想深處的矛盾沖突有關(guān)。通過(guò)分析造成安娜愛(ài)情悲劇的原因，來(lái)進(jìn)1步地了解109世紀6710年代的俄國社會(huì )現實(shí)，并對安娜的愛(ài)情悲劇做出嘗試性的探討。同時(shí)，筆者作為1名女性，對女性地位進(jìn)行了思考和探索。
關(guān)鍵詞：安娜；悲��；女性地位
ABSTRACT
Ana•Karenina created in 1873 - 1877 years. In the seventies of the 19th century, in the social course of changing sharply of straight place of Russia, the feudal serf system is continuing disintegrating , but the relic force is still very strong, although capitalism is developed rapidly hard, is far from becoming governance strength of the society, it is still feudal influence and feudal center as the novel of ideology that Russia dominates, Ana lives in such an one era. Ana•Karenina is image of an immortal in the works of Torstai, she has moved towards the tragic final result that is destroyed finally. Tragic emergence, with she life can tolerate era and marriage to have love of love have something to doing into, equate the love with the love view of life to have something to do with with her , is involved in contradiction conflict of her thought depths too. Through analyzing the reason causing Anas love to be tragic, further social reality of Russia of sixty or seventy times of the 19th century of understanding comes, and make the tentative discussion to Anas love tragedy. The author pondered over and explored womens position as a woman at the same time. Key words: Ana; tragedy; womens position
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